Song of the Thirteen Parts of the Mai Shen Xiang's Face

Song of the Thirteen Parts of the Mai Shen Xiang's Face

"Ma Yi Shen Xiang", also known as "Ma Yi Xiang Fa", is the pioneering work in physiognomy and laid a solid foundation for the future development of physiognomy. Since its publication, it has been valued by royal families of all dynasties. It was included in the Wenyuange Sikuquanshu in the Qing Dynasty. Since ancient times, there has been a saying that "if you have learned the physiognomy of a man, you will dare to measure him." "Ma Yi Shen Xiang" laid the foundation for the theoretical system of physiognomy and is a landmark masterpiece in the history of physiognomy.
Ma Yi Shen Xiang absorbed the essence of previous generations' books on physiognomy, corrected many shortcomings and errors, and discarded some cumbersome and absurd statements. It correctly analyzes people's psychological world, makes appropriate judgments on people's personality traits, and starts from the details to grasp people's life destiny comprehensively and appropriately. Looking through the whole book, its scientific nature is obvious and its philosophical thoughts are profound and extensive, which has brought the theory of physiognomy to an unprecedented peak. Now let's take a look at the general picture of the thirteen parts of the Mai Shen Xiang face:


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【original】
On the first day, the prison faces the sky, with the inner palace following on the left wing. The armory is as high and wide as Chiyang, and there is enough land for the military gates to support the corners.
The second sky court is connected to the sun horn, the dragon horn, the Tianfu, the room, the heart and the tomb. The upper tomb, the four evil spirits are connected to the battle hall. The Yima and the hanging court are divided into good and evil.
The third Sikong is in front of the forehead, and the Shangqing and Shaofu are even closer. It is good to make friends on the road, and look at the saints in the mountains and forests with heavy eyebrows.
The fourth one has a forehead with a horn, tiger horns and ox horns as auxiliary bones, black horns, painted halberds and a canopy, and the blessed hall with colorful clouds is sought in the suburbs.
The fifth one is in the Yintang family prison, the left eye silkworm room rises in the forest, the wine jar and the classic house are opposite the concubine's door, and the robbery road is at the end of the Qinglu Lane.
The sixth nose root faces the sun, the middle yang, the Shaoyang and the outer yang, the fish tail, the Jianmen divine light is connected, and the Cangjing Tianmen Xuanwu is hidden.
In the seventh year, her husband took the seat of the emperor. The eldest son, the middle son and the youngest son were robbed from the golden cabinet and the forbidden room. The military commander sent a letter to Yutang Temple.
The eighth birthday is Jiakuiyi, who returns to the hall to meet his aunts, sisters, good brothers, and nephews, the foundation of the school.
The ninth is the Lantai straight, with a palace on the stove and a grand palace, and a round warehouse behind the imperial palace, and soldiers guarding the gate are marked with seals and ribbons.
The tenth person is in the middle of the well department, with a fine kitchen and cabinet under the tent, servants and brothels in front of the hall, and the doctor of the infant gate hanging on the wall.
Opposite the gate of the Eleventh Mercury Pavilion, next to it is an evil alley and a thoroughfare, with guest houses, soldier stalls and family storehouses, and merchants and travelers living on the top of the mountain.
The ancestral home of the twelve descendants is safe, and the outer courtyard of the grandson's house is visible with forests and gardens. There is a tomb below, on the farmland and wine pool, and beside the road in the suburbs and barren hills.
The thirteen lands are yours to live in, with servants working on the millstones, ditches and trenches, underground storehouses, ponds, geese and ducks, and no worries about boats and carriages on the sea.
【Notes】
① Thirteen parts: refers to the important parts of the face from top to bottom, including Tianzhong, Tianting, Sikong, Zhongzheng, Yintang, Shangen, Nianshang, Shoushang, Zhuntou, Renzhong, Shuixing, Chengjiang and Dige. The human face has thirteen important parts from top to bottom, with the nose as the central axis. Each part has other parts on the left and right opposite to it, totaling one hundred and forty-six. This rhyme covers all the basic parts of the human face. To be familiar with physiognomy, you must first read this song formula carefully.
【modern translation】
The first part is called Tianzhong. The parts of the face that are roughly parallel to Tianzhong are (based on the left side of the face): Tianyue, Zuoxiang (the right side is the right wing), Neifu, Gaoguang, Chiyang, Wuku, Junmen, Fujiao, and Biandi.
The second part is called the forehead. The parts roughly parallel to the forehead are: the sun corner (the moon corner on the right), the dragon corner (the tiger corner on the right), Tianfu, the heart of the room, the father's tomb, the upper tomb (the sky tomb on the right), the four evil spirits, the war hall, the post horse, and the hanging court.
The third part is called Sikong, and the parts roughly parallel to Sikong are: forehead, Shangqing, Shaofu, Jiaoyou, Daozhong, Jiaoe, Chongmei, mountains and forests, and sages.
The fourth part is called Zhongzheng, and the parts roughly parallel to Zhongzheng are: forehead angle, tiger horn, ox horn, accessory bone, black horn, painted halberd, canopy, Futang, colorful clouds, and suburbs.
The fifth part is called Yin Tang, and the parts roughly parallel to Yin Tang are: interlocking, left eye, silkworm room, forest, wine jar, monastery, concubine gate, robbery road, alley road, and green road.
The sixth part is called the nose root, and the parts roughly parallel to the nose root are: Taiyang, Zhongyang, Shaoyang, Waiyang, Yuwei, Jianmen, Shenguang, Tiancang, Tianjing, Tianmen, and Xuanwu.
The seventh part is called Nian Shang. The parts roughly parallel to Nian Shang are: husband's seat (wife's seat on the right), eldest son, middle son, youngest son, golden box, forbidden room, thieves, wandering soldiers, book and jade hall.
The eighth part is called Shoushang, and the parts roughly parallel to Shoushang are: Jiakui, Guilai, Tangshang, Front, Guyi, Sisters, Brothers, Nephews, Xuetang and Mingmen.
The ninth part is called the tip of the nose. The parts roughly parallel to the tip of the nose are: Lan Tai (with Ting Wei on the right), Fa Ling, Zao Shang, Gong Shi, Dian Yu, Yuan Cang, Hou Ge, Shou Men, Bing Zu, Yin Shou.
The tenth part is called the philtrum. The parts roughly parallel to the philtrum include: the well, the tent, the kitchen, the cabinet, the servant, the servant, the brothel, the infant gate, the doctor, and the hanging wall.
The eleventh part is called Mercury, and the parts roughly parallel to Mercury are: pavilion door, neighbors, alleys, thoroughfares, guest house, guest house, storehouse, business traveler, life gate and mountain top.
The twelfth part is called Chengjiang. The parts roughly parallel to Chengjiang include: ancestral home, grandson's home, outer courtyard, forest garden, lower tomb, farmland, wine pool, suburbs, barren hills, and roads.
The thirteenth part is called the Di Ge. The parts roughly parallel to the Di Ge include: lower residence, servants, pestle and mill, pits and trenches, basements, ponds, geese and ducks, sea, and boats and carriages.
Ma Yi Shen Xiang can enable readers to understand the essence of physiognomy in a systematic and scientific way, and at the same time, it can also make use of the past to serve the present and reasonably apply the acquired physiognomy knowledge to real life.

Thank you for reading the song about the thirteen parts of the face of Mai Shenxiang. I hope it can be helpful to you. Thank you for your support of the Dream Interpreter website! For more exciting content, please follow our Xiong Zhang account.

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