Wei's Calligraphy Wei Fuzhi joins DSCBank to promote Chinese calligraphy

DSCBank will definitely create a security-based

Digital currency full industry chain business empire!

Calligraphy Master Wei Fuzhi

A family with profound knowledge and a long history

Descendants of a famous family, inheriting poetry and literature

Young and promising, rising to prominence

Chinese culture, spread around the world

Let the world practice Wei's calligraphy

Let the world fall in love with Chinese characters

Building a strong country through culture is one of the national strategies. It can enhance the country's cultural soft power and the international influence of Chinese culture, and further liberate cultural productivity through innovation and creation. In response to the national calligraphic call, the Data Shield team has reached a strategic cooperation with the son of the contemporary calligrapher Wei Yuanfu, the famous young calligrapher Wei Fuzhi. With the tide of blockchain, we will spread Wei's calligraphy and promote Chinese culture.

The Weishi-Yi Lefan Calligraphy Art Customization Platform is hereby established to provide the Dun Family Army with a window to understand Weishi calligraphy and a gateway to the profound Chinese culture. At the same time, it will also build a bridge between the Dun Family Army and China's top calligraphy, providing the Dun Family Army with calligraphy and artwork customization and auction services.

Weishi-Yilefan Calligraphy Art Customization Platform will become an important pillar of DSCBank's business empire. The platform will use DSCB for all payments and will provide the strongest impetus for DSCB's deflation model.

The vastness of Chinese characters and the might of China, Wei's Yi Le will practice it. Although there are thousands of people, I will go, and those who come to me will lead the way!

Wei Fuzhi

National first-class artist. Founder of the second generation of Daode style calligraphy. 27th generation disciple of the Quanzhen Longmen School of Taoism. 73rd generation inheritor of "Wei's calligraphy", good at running script, and fully inherits and develops "Wei's calligraphy" in terms of system.

A well-known family with a long history

Thinking of our ancestors fighting in the wilderness, conquering the battlefield and stepping into Jiujiang

Today, my grandson is still young, but he will follow the clan's aspirations and ambitions.

Wei Fuzhi was born in the famous and prominent Wei family. The Wei family was originally a branch of the Western Zhou Dynasty. They were actually descendants of Kang Shu. Kang Shu granted Wei the title of state of Wei. The Wei family branched out to Hedong, and their descendants were scattered all over the country. "Such as Quwo in Shanyou, Huating in Jiangzuo, Panyu in Guangdong, Wuhen in Jiyi, it is difficult to list all the branches from Anyi in Hedong (now Xia County, Shanxi). It is not difficult to see from this that after the Western Zhou Dynasty, the Wei family was a famous and prominent family in all dynasties. In the Wei, Jin, Southern and Northern Dynasties, the Wei family was even more prominent in Confucianism. During the reign of Emperor Ming of the Eastern Han Dynasty (58-78), Wei Hao was recruited by the court because of his reputation in Confucianism. Due to the journey and physical condition, he died in Xia County, Shanxi on his way to Luoyang to take office. The court granted him a burial there, and his family settled there. Because of the court's attention and Wei Hao's status and reputation, the Wei family genealogy listed Wei Hao as a first-generation family.

Most of the famous families in the Eastern Han Dynasty were large families, and they could only enter the officialdom through Confucian classics. Wei Hao was a descendant of Confucian scholars who settled in Hedong. Although his family was not established, he still passed on Confucianism. It was not until the end of the Eastern Han Dynasty that Wei Hao's fourth-generation grandson Wei Kai was reused by Cao Cao, and the Wei family gradually became prosperous. Wei Kai (?-229), whose courtesy name was Bo Ru, was influenced by the Confucian tradition. He achieved academic success when he was young and was known for his talent and learning, especially for his articles. During the reigns of Emperor Wen and Emperor Ming of Cao Wei, he was successively named Tinghou and Xianghou, and was in charge of the court's rituals and literature and history books. Wei Kai had three sons, and the eldest son Wei Guan was the one who brought glory to the Wei family.

Wei Guan (220-291), courtesy name Boyu. Wei Guan entered the officialdom at the age of 20, which shows his talent. After Wei conquered Shu, Wei Guan served as military supervisor. After Deng Ai and Zhong Hui conquered Shu, they fought for power, so he designed to kill Deng and Zhong and put down the chaos. During the reign of Emperor Wu of the Western Jin Dynasty, he was promoted to Sikong, in charge of the government, second only to the emperor. When Emperor Hui ascended the throne, Wei Guan and the King of Runan jointly assisted the government. Since then, the Wei family has become a famous family because of Wei Guan's power and status. Within the family, the second brother was conferred a title, the eldest son Wei Heng was a Huangmen Lang, and the fifth son Wei Ting was selected to enter the East Palace to "travel with the prince".

The earliest and most complete record of Wei Suo's life is in "Book Judgment" by Zhang Huaiguan of the Tang Dynasty. It says: "Madam Wei's name is Suo, with the courtesy name Maoyi. She is the younger sister of Tingwei Zhan, the cousin of Heng, and the wife of Li Ju, the governor of Ruyin. She is particularly good at official script (regular script), and follows the rules of Zhong Gong... Youjun Shaochang learned from her. She died in the fifth year of Yonghe at the age of 78. Zi Ke (wrong, should be "Chong") was a Zhongshu Lang, also good at calligraphy." He Fasheng of the Jin Dynasty recorded in "Zhongxing Shu": Li Ju served as the governor of Jiangzhou and died in office. At that time, Wei Suo was in her forties. Since she and Wang Xizhi's mother were sisters, she became Wang's tutor and taught calligraphy. Wei Suo's calligraphy has a deep origin and distinct artistic characteristics. She was born into a family of calligraphers. From Wei Kai to Wei Guan to Wei Heng to Wei Wei and Wei Jie, they all had a reputation for calligraphy, and the family tradition has lasted for four generations. Wei Suo lived in a strong atmosphere of calligraphy art, and was naturally well influenced. Wei Suo also inherited the excellent traditions of Cai Yong, Cai Yan, and Zhong Yao. She said: "I have been following Zhong Yao for many years." It can be seen that she has made long-term efforts in learning the calligraphy tradition. Due to family education and inheritance of tradition, Wei Suo is proficient in all styles of calligraphy and has reached a very high level. Li Sizhen's "Book Postscript" in the Tang Dynasty said that Mrs. Wei's "regular script is particularly outstanding." The Ming Dynasty's "Book Judgment" said: "Mrs. Wei's official script (this refers to regular script and regular script) is particularly good, breaking the ice in a jade pot, scorching the moon on the Yaotai, gentle and fragrant trees, and quiet like the breeze." Wei Suo wrote a calligraphy theory work at the age of 20, "General Explanation of Grass and Official Scripts" and other articles (see "Chunhua Ge Tie Volume 5 Wei Jishou and Nan Tie"). In the fourth year of Yonghe, the year before Mrs. Wei died, she wrote the famous article "Bi Chen Tu" with more than 600 words, which is an early theoretical article in the history of Chinese calligraphy. In the fifth year of Yonghe, the greatest female calligrapher in Chinese history passed away at the age of 78. Wang Xizhi was 46 years old at that time. In the ninth year of Yonghe, when Wang Xizhi was 50 years old, he wrote the world's best running script "Lanting Preface" which has been passed down through the ages.

Wei Shuo moved into the Wang family when he was about 40 years old. In the following 30 years, he devoted his life to creating the pinnacle of Chinese calligraphy history - the calligrapher Wang Xizhi, who was unprecedented and unparalleled. He combined family affection and love, family learning and talent, and gave all the achievements and hopes of the Wei family to Wang Xizhi, making later calligraphers look up to him. Emperor Taizong of Tang Dynasty loved Yi Shao: "He carefully studied the past and present, studied the seal script and the plain script, and achieved perfection. Is it only Wang Yi Shao?" Naturally, Wei was more likely to be ignored by public opinion. Despite this, people in later generations did not erase her from the coordinates of the times. Huang Tingjian wrote in "Preface to Wang Shengzi" that "Wang Youjun first learned small regular script from Wei Furen, but could not achieve perfection. Later, he learned Li Si, Cao Xi's seal script, Cai Yong's official script and eight-part script, and then the regular script was the best in the world." He also wrote a poem saying: "Zhongjiang Baiying has no successors. Recently, this gentleman (referring to Li Jianzhong) has started writing, which made him appear early in front of Li Wei, and not only Youjun can surpass others." Mr. Sha Menghai pointed out in his article "Calligraphy in the Past Three Hundred Years": "Wang Xizhi's calligraphy was directly learned from Wei family and indirectly from Zhong Yao." These discussions fully affirmed the status of Wei Furen as Youjun's calligraphy mentor. This is to respect the historical facts of calligraphy.

The originator of calligraphy, immortalized forever

Establish your mind for the world and your life for the people

To carry on the lost knowledge of the past sages and bring peace to the world

Before the Eastern Jin Dynasty, the Wei family can be said to be the ancestors of Chinese calligraphy. They dominated Chinese calligraphy for a hundred years and influenced Chinese calligraphy for a thousand years. Although the family of Wei Kai, Wei Guan, Wei Heng, Wei Xuan, Mrs. Wei, Wei Xu, and Wei Jie had the reputation of "four generations of family tradition".

The contribution and influence of "Wei's calligraphy" on Chinese calligraphy comprehensively inherited various styles of calligraphy that had been popular since the Eastern Han Dynasty, and was famous for inheriting ancient styles and methods, and focusing on the study of philology and calligraphy. Before the age of 46, Wang Xizhi was taught by Mrs. Wei, who passed on her family knowledge to him, making him a peak in the history of Chinese calligraphy. His status as the "calligraphy saint" is unshakable, and he has become a role model for calligraphy learning for generations to come.

Among the five famous scholars of the Wei, Jin, Southern and Northern Dynasties, only the descendants of Zhong, Wei and Wei continued to maintain their reputation in calligraphy. In the Western Jin Dynasty, Wei Guan and Wei Heng became famous after Wei Kai. Due to their extremely high political status, the Wei family jumped to the top of all schools and became the first portal in the calligraphy world of the Western Jin Dynasty.

The Wei family was not only a powerful family of calligraphers who enjoyed the same reputation as Zhong and Wang during the Wei and Jin Dynasties, but also the Wei family’s reputation lasted more than 50 years longer than that of the Zhong family. The Wei family’s reputation and prosperity were more than 100 years earlier than that of the Wang family of Langya. At the end of the Eastern Jin Dynasty, when the “two Wangs were famous in the south of the Yangtze River”, the Wei family’s calligraphy had already developed into an important calligraphy school in the north. The Wei family’s proficiency in philology and its contribution to calligraphy were enough to look down on the Zhong, Wang and other calligraphers.

The Wei family, a Confucian family, still based their teachings on Confucianism during the Wei and Jin dynasties when academic thought was open, highlighting its authenticity. They also absorbed academic thoughts from various schools in a timely manner, thus achieving the state of "combining Confucianism and Taoism, and practicing both rituals and Taoism."

During the Wei and Jin Dynasties, most of the Confucian families were calligraphers. For example, the Zhong family in Changsha, Yingchuan, the Xun family in Yingyin, the Wang family in Linyi, Langya, the Wang family in Jinyang, Taiyuan, the Lu family in Fanyang, etc. Compared with the Wei family, these calligraphers are inferior to the Wei family in terms of calligraphy. Although some of them flourished after the Wei family, their inheritance is not as long as that of the Wei family. The reputation of the Wei family's calligraphy is high and its inheritance is long, which makes other families far behind. Since Wei Kai, the Wei family has become famous for calligraphy. He "likes ancient texts, bird seals, official scripts and cursive scripts, and is good at everything." Wei Kai's ancient texts are like Handan Chun, and he has mastered the method and can make the fake look real, reaching the realm of showing Chun and Chun cannot be distinguished. His seal script is as famous as Wei Dan, and his cursive script is different from Zhang Zhi. Because he is a master of the ancient script and is good at various styles, his reputation is higher than that of Zhong Yao, who is good at regular script and running script.

The most worthy of study of Wei Guan's calligraphy is his "draft" style. Since there was no modern cursive script in the Cao Wei and Western Jin dynasties, the popular style was the stylized official cursive script, which had strict rules, with connected strokes in the characters, and no connection between characters, retaining the wave-like strokes of official script. Wei Guan's "draft" style is actually the abbreviation of official cursive script, and because of this, it has interpreted the revolution in the cursive writing of Chinese calligraphy. This style played an important role in the emergence of modern cursive script and the maturity of Wang Xizhi's new style of calligraphy in the Eastern Jin Dynasty.

Wei Guan had six sons, among whom the best calligraphers were the second son Wei Heng, the fourth son Wei Xuan, and the fifth son Wei Ting. Wei Heng was the most famous. In addition to writing ancient texts and inheriting the family tradition, Wei Heng also learned from ancient texts and followed his father's style. He wrote cursive scripts and was good at Zhangcao and Caogao. His official script was able to be flexible and his scattered official script was more inherited than created. Wei Heng's "Four Styles of Calligraphy" is an important calligraphy work in the Western Jin Dynasty and one of the earlier calligraphy works in the history of Chinese calligraphy.

During the Wei and Jin Dynasties, many works of Wei family calligraphy were handed down, so-called "the works of Wei and Du are widely circulated". The Tang Dynasty's "Records of Famous Paintings of All Dynasties" records that Zhang Yanyuan's family has a volume of Wei's authentic works. In the late Northern Song Dynasty, the Xuanhe Palace kept a piece of Wei Heng's "Wanglai Tie", but later generations could only see the beginning but not the end. The works of Wei family calligraphy that can be seen are Wei Guan's cursive "Dunzhou Tie", Wei Heng's cursive "Yiyi Tie" and Mrs. Wei's regular "Henan Tie" collected in the "Chunhua Pavilion Tie" in the early Northern Song Dynasty. Therefore, the important basis for judging the style of Wei's calligraphy is the records in the literature.

The overall appearance of Wei's calligraphy is not comprehensive if it is only discussed in terms of calligraphy art, because Wei's calligraphers have made indelible contributions to the inheritance of philology and the construction of calligraphy theory, and it is well-deserved to be called "Wei's calligraphy".

The contemporary calligrapher, benefiting thousands of families

The wind and frost rise, and the eagle painting is unique

I am thinking of the cunning rabbit, and I look at the sideways like a worried Hu

The shiny arrowheads can be plucked, and the pillars can be called

Why should I kill ordinary birds, and let their feathers and blood scatter on the plains?

Wei Fuzhi's father, Wei Yuanfu, is the executive chairman of the Chinese Calligraphy Association. He received systematic higher education in Chinese calligraphy, including undergraduate, master and doctoral degrees. He is the 72nd generation inheritor of "Wei's Calligraphy". In 2005, he was awarded the title of Artist with Both Morality and Art by the Chinese Calligraphy Association, in 2006 he was awarded the Lifetime Achievement Award for Chinese Calligraphy Art by the Chinese Calligraphy Association, and in 2007 he was awarded the title of World Outstanding Artist by the World Science, Education and Culture Association. He is the 26th generation disciple of the Quanzhen School of Chinese Taoism, and has fully inherited and developed "Wei's Calligraphy".

He said: He would walk the path that others have walked for ten years in one year, and he would write every day without stopping, which could be said to be ten times as much as he did. He has been learning calligraphy since he was young, and has a unique understanding of Chinese calligraphy. The accumulation of "Wei's calligraphy" for thousands of years has been fully exerted and reflected in him. Wei Yuanfu's calligraphy is guided by running script, forming a broad and profound style system, which is serious and elegant, contrasting and harmonious, emotional and rational, and has rules and freedom. It can be said that "both form and spirit" are present, and the subjective spirit of "spiritual encounter", "heart enlightenment", "clear mind and thinking", and "spiritual response and thorough thinking" is expressed in calligraphy creation. It is said that his calligraphy is a beautiful spiritual dance; his works "are like fragrant trees and quiet like the breeze", and "beauties are on the stage, fairies play with shadows, red lotus reflects water, and green ponds float with clouds", which push the writing of running script to a new peak.

His calligraphy is highly favored by collectors at home and abroad, and his works are widely collected, from Zhongnanhai, the Great Hall of the People, the Diaoyutai State Guesthouse, the three-service guard of honor, the national flag guard, to celebrities and dignitaries from more than 100 countries at home and abroad.

Young talents are the pillars of the country

Talented people achieve success

Courageous, resolute and good at planning

Poetic years and brilliant style

The long road ahead

A descendant of a famous family, he is young and promising. He is a famous young calligrapher, a disseminator of Chinese culture, and a pillar of the country. Wei Fuzhi, male, 26 years old, is currently studying at Tsinghua Academy of Fine Arts. His ancestral home is Xia County, Shanxi Province. He is a national first-class artist. He is the second-generation founder of moral calligraphy. He is a 27th-generation disciple of the Quanzhen Longmen School of Taoism. He is the 73rd generation inheritor of "Wei's calligraphy", good at running script, and comprehensively inherits and develops "Wei's calligraphy" in terms of system.

Wei Fuzhi has been learning calligraphy since he was young and has a unique understanding of Chinese calligraphy. The accumulation of "Wei's calligraphy" for thousands of years has been fully exerted and reflected in him. He integrated Confucianism and Taoism into calligraphy culture, taking "moderation" and "Tao follows nature" as the spiritual soul of calligraphy. At the same time, he integrated "Tai Chi" and "swordsmanship" into calligraphy, creating a unique calligraphy charm that amazes the world. His origin is the "Wei family", an extremely prominent calligraphy family in the Wei and Jin Dynasties. Mrs. Wei cultivated a generation of calligraphy saints for China, Wang Xizhi, who has become a model for future generations.

The picture shows Wei Fuzhi taking a photo with Italian Foreign Minister Maffei, who wrote the inscription

Wei Fuzhi also serves as an expert member of the Calligraphy and Painting Art Professional Committee of the Chinese Popular Culture Society of the Ministry of Culture, a national first-class artist (calligraphy) of the Ministry of Culture, a cultural ambassador of Bhutan, a calligraphy consultant of the Fujian Jinjiang General Chamber of Commerce, an art consultant of Taimei.com, a calligraphy consultant of Foshan Temple, and a calligraphy consultant of Oriental Art World.

He held a personal calligraphy exhibition in Beijing in 2015, which was reported by CCTV's calligraphy and painting channel and more than 100 media outlets. Wei Fuzhi also performed calligraphy on Anhui Satellite TV's Chinese Hundred Family Names program. During the National Day in 2016, he was responsible for organizing a joint calligraphy exhibition between China and Australia, which was well received by the people of Macau. He went to Japan for a cultural exchange exhibition in 2017.

A brilliant man with exquisite writing skills

Some of Wei Fuzhi's calligraphy works are now on display for the Dun family army to appreciate and learn Wei's calligraphy, and jointly promote Chinese calligraphy culture.

"Wei's calligraphy" has a long history and is one of the essences of traditional Chinese calligraphy and even traditional culture. The Data Shield team is constantly making progress and expanding the global market. The two have joined forces to use the power of blockchain to carry forward "Wei's calligraphy" and even "Chinese culture", spread Wei's calligraphy, promote traditional culture, and make Chinese characters stand at the top of the world.

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